Research on AI & IP underlying this project
Ryan Abbott, The Reasonable Robot: Artificial Intelligence and the Law, Cambridge University Press (June 2020)
Abbott, Ryan Benjamin, Everything is Obvious. 66 UCLA L. Rev. 2 (2018).
AI & Intellectual Property Offices
World Intellectual Property Office (WIPO)
Index of AI initiatives in IP offices
WIPO Technology Trends 2019—Artificial Intelligence
Artificial Intelligence and Intellectual Property
United States Patent and Trademark Office
European Patent Office (EPO)
Artificial Intelligence Portal
Other Resources
Academic Literature
Ryan Abbott, The Reasonable Robot: Artificial Intelligence and the Law, Cambridge University Press
Lawrence B. Solum, Legal Personhood for Artificial Intelligences, 70 N.C. L. Rev. 1231 (1992)
Amir. H. Khoury, Intellectual Property Rights for Hubots: On the Legal Implications of Human-like Robots as Innovators and Creators, 35 Cardozo Arts & Ent. L.J. 635 (2017)
Ralph D. Clifford, Intellectual Property in the Era of the Creative Computer Program: Will the True Creator Please Stand Up , 71 Tul. L. Rev. 1675 (1997)
Tal Montal & Zvi Reich (2017) I, Robot. You, Journalist. Who is the Author? Digital Journalism, 5:7, 829-849, DOI: 10.1080/21670811.2016.1209083
Andrew J. Wu, From Video Games to Artificial Intelligence: Assigning Copyright Ownership to Works Generated by Increasingly Sophisticated Computer Programs, 25 AIPLA Q. J. 131 (1997).
Tal Vigderson, Hamlet II: The Sequel: The Rights of Authors vs. Computer-Generated Read-Alike Works, 28 Loy. L. A. L. Rev. 401 (1994)
Mark Perry, Thomas Margoni. From music tracks to Google maps: Who owns computer-generated works? Computer law & security review 26 (2010) 621–629.
Craig, Carys J. and Kerr, Ian R., The Death of the AI Author (March 25, 2019).
Copyright Protection for Computer Programs, Databases, and Computer-Generated Works: Is Anything New Since CONTU? 106 Harv. L. Rev. 1977 (1993).
Bruce E. Boyden, Emergent Works, 39 Colum. J.L. & Arts 377 (2016).
Allocating Ownership Rights in Computer-Generated Works, 47 U. PITT. L. REV. 1185, 1199–1200 (1986).
Neal F. Burstyn, Creative Sparks: Works of Nature, Selection, and the Human Author, 39 Colum. J.L. & Arts 281 (2015).
Darin Glasser, Copyrights in Computer-Generated Works: Whom, if Anyone, Do We Reward?, 1 Duke Law & Technology Review (2001).
William T. Ralston, Copyright in Computer-Composed Music: HAL Meets Handel, 52 J. Copyright Soc’y U.S.A. 281 (2005)
An evolutionary step in intellectual property rights : artificial intelligence and intellectual property. Davies, Colin.Yn: Computer law and security review, Cyfrol 27, Rhif 6, 01.12.2011, t. 601 – 619.
Kalin Hristov, Artificial Intelligence and the Copyright Dilemma, 57 IDEA 431 (2017).
James Grimmelmann, Copyright for Literate Robots, 101 Iowa L. Rev. 657 (2016).
Madeleine de Cock Buning, Autonomous Intelligent Systems as Creative Agents under the EU Framework for Intellectual Property, 7 Eur. J. Risk Reg. 310 (2016).
Bridget Watson, A Mind of Its Own – Direct Infringement by Users of Artificial Intelligence Systems, 58 IDEA 65 (2017).
A fourth law of robotics? Copyright and the law and ethics of machine co-production. / Schafer, Burkhard; Komuves, David; Zatarain, Jesus Niebla; Diver, Laurence.In: Artificial Intelligence and Law, Vol. 23, No. 3, 23.09.2015, p. 217-240.